Our Cues  /  MKP SERIES

Inlaid butt

Shell, stone or contrasting timber cut and seated into the butt itself, not just at the rings. Every piece is shaped to fit a cavity routed for it and nothing else, which is why these take two to three times as long as a plain butt.

This is the series we are proudest of, and the one that takes the most out of the bench. Eighteen references live today, five of them ebony but no two cut the same way. Look closely and tell us which one is closest to what you have in mind.

Muraki MKP01 Ebony cue, shell mosaic on ebony

MKP01 – Ebony

Shell mosaic on ebony

A repeating diamond mosaic of real abalone and mother of pearl, cut piece by piece.

Muraki MKP02 Zuma cue, shell sword points on zuma

MKP02 – Zuma

Shell sword points on zuma

Pale zuma wood with an abalone sword point inlay running up from the joint.

Muraki MKP03 Ebony cue, shell points, red and gold rings

MKP03 – Ebony

Shell points, red and gold rings

Long abalone points against ebony, framed by hand fitted red and gold ring work.

Muraki MKP04 Ebony cue, a tiger's head in shell and bone

MKP04 – Ebony

A tiger’s head in shell and bone

A single picture inlay, not a repeating pattern. Our most detailed cue to date.

Muraki MKP05 Ebony cue, a single diamond accent

MKP05 – Ebony

A single diamond accent

Deep black ebony left mostly plain, with one small shell point near the joint.

Muraki MKP06 Cocobolo cue, point inlay on cocobolo

MKP06 – Cocobolo

Point inlay on cocobolo

Deep red brown cocobolo with a running point inlay under a black wrap.

Muraki MKP07 Bocote cue, points that follow the grain

MKP07 – Bocote

Points that follow the grain

Bocote’s natural stripe pattern with long points cut to follow the grain.

Muraki MKP08 Tulip cue, slim points, abalone accents

MKP08 – Tulip

Slim points, abalone accents

Pale rose and violet streaked tulipwood with a slim point inlay.

Muraki MKP09 Bird's-Eye Maple cue, fleur de lis in contrast wood

MKP09 – Bird’s-Eye Maple

Fleur de lis in contrast wood

Bird’s-eye maple carrying a fleur de lis and diamond point pattern in dark timber.

Muraki MKP10 Ebony + Maple cue, green points, natural maple cap

MKP10 – Ebony + Maple

Green points, natural maple cap

Black ebony with green and silver diamond points, and a plain natural maple cap.

Muraki MKP11 Ebony cue, long silver points

MKP11 – Ebony

Long silver points

Long, sharp silver points the full length of the forearm under a textured wrap.

Muraki MKP12 Limited cue, a workshop limited piece

MKP12 – Limited

A workshop limited piece

A limited run build with its own red accent stripe, from the bench’s own project list.

Muraki MKP13 Ebony cue, pearl vine inlay

MKP13 – Ebony

Pearl vine inlay

A hand drawn pearl vine climbs the forearm, with small coloured shell accents standing in for leaves.

Muraki MKP14 Dyed red hardwood cue, cream points, turquoise accents

MKP14 – Dyed red hardwood

Cream points, turquoise accents

A dyed red forearm with cream point inlay trimmed in black and a turquoise accent at each tip.

Muraki MKP15 Ebony cue, flame point, white outline

MKP15 – Ebony

Flame point, white outline

A reddish brown flame point outlined in crisp white pinstripe against black ebony.

Muraki MKP16 Ebony cue, lightning points, three colours

MKP16 – Ebony

Lightning points, three colours

A sharp cream lightning bolt point pattern trimmed in red with small turquoise diamond accents.

Muraki MKP17 Ebony cue, no inlay, high gloss finish

MKP17 – Ebony

No inlay, high gloss finish

A deep high gloss forearm with a black and white pinstripe ring, no point work at all.

Muraki MKP18 Maple cue, silver diamonds, scroll medallion

MKP18 – Maple

Silver diamonds, scroll medallion

Natural maple with silver diamond points climbing to an ornate scroll medallion at the butt cap.

What we can set into a butt

The twelve cues above are our references, but the series is really a way of working rather than a fixed catalogue. If you want inlay, these are the materials that go into it.

  • Abalone shell the iridescent one, blue through green through pink
  • Zuma shell paler and calmer than abalone, easier to live with day to day
  • Bone and dyed veneers for picture inlays and colour accents like the green points on MKP10
  • Stone turquoise as standard, other stones on request
  • Contrasting timbers pale wood set into dark, or the other way round
  • Resin when you want a colour that does not exist in nature

Patterns are cut for your cue rather than pulled from a library. Send a photograph, a drawing, or just describe it, and we will tell you what is possible and what is not.

Want inlay in a different wood or stone?

The twelve above are our references, not the limit. We hold eight timbers on the rack and work in abalone, zuma, turquoise, resin and contrasting woods. Tell us the base wood and the material you want set into it.

15+

YEARS OF CRAFT

500+

CUES HAND BUILT

10+

COUNTRIES SHIPPED

10+

TIMBER SPECIES

Want inlay work of your own?

Send us a picture of what you have in mind. We will tell you honestly whether we can build it, what it will cost and how long it will take. Nothing to pay to ask.